Tag: C.S. Lewis

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Originality is Overrated

“Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it.” C.S. Lewis, Mere Christianity

In this post I want to continue diving into Paul Griffiths’ book The Intellectual Appetite and say one more thing about his discussion of curiosity as a vice in the intellectual life. I’m specifically interested in his notion that curiosity is the desire to possess or own knowledge. This is in contrast to the virtue of studiousness, which is about receiving knowledge rather than taking knowledge.

In his discussion Griffiths links the desire for ownership with the obsession in academic theology for originality. Speaking of his own approach to the topic of originality, Griffiths does not think of his own intellectual contributions in terms of ownership. He thinks more in terms of stewardship. Even in using the curiosity/studiousness paradigm, he acknowledges that he is not saying anything new or original to him. Rather, he says, “The definitions that follow are concordant with those found in the Christian tradition, but are not identical with any of them. I give them not in an exegetical spirit, but rather as a contributor to a tradition of thought whose authority I accept, and that I consider it a privilege to speak out of and thereby to extend” (20).

Notice that the goal is to contribute by extension rather than by novelty. Notice also that there is a strong sense of continuity, but continuity is not the same thing as exact replication. It is a conversation that moves forward, not because every conversant says the same thing in the same way, but because every conversant is committed to having the same conversation.

Sertillanges made a similar point , saying that what we might call originality is the convergence of a unique someone speaking something true in a true way. What is unique is the individual rather than the idea or concept. Now this does not mean that there are not such things as breakthroughs or new ways of thinking about things or paradigm shifts, but first, by and large all such shifts come from speaking within an existing paradigm or tradition.

In a recent email exchange, with a friend of mine, Christopher Benson, I tackled the same topic in a similar way. In that context I said:

Novelty has its place in theology, but it can’t be the driving force. In my mind the theologian is primarily a steward, first of divine revelation, and second of the tradition of the church. Jesus says something similar to the scribes: “Therefore every scribe who has been trained for the kingdom of heaven is like a master of a house, who brings out of his treasure what is new and what is old” (Matt. 13:52). Notice that there are new things to bring out, yes, but novelty isn’t the goal. The goal is properly stewarding the house.

The theologian usually doesn’t say new things. The theologian is more a steward of memory and reminds the church what she has forgotten.”

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Style and Truth – What Self-Expression Really Means

Some of my doctoral research concerns the question of style, specifically what Hans Urs von Balthasar means by the idea of theological style. So I was stuck by Sertillanges’s thoughts on the subject of style as it relates to the intellectual life and to the quest for truth. (See previous posts on The Intellectual Life here)

As always Sertillanges relates the question of style to the broader themes of the book, namely that style must serve truth and express truth truly. But style also must express the self: “My style, my pen, is the intellectual instrument which I use to express myself and to tell others what I understand of eternal truth. This instrument is a quality of my being, an interior bent, a disposition of the living brain, that is, it is a particular evolution of my style” (201). I find this fascinating because clearly style is more than self expression, but it is for Sertillanges nothing less than self expression either. Style at its best expresses both truth and the self, because within the vocation of the intellectual life the ultimate desire is that the self would conform to truth. So his version of “express yourself” is not the trope that launched a thousand self-help books because he is not saying that if I have expressed myself then I have expressed truth. Self-expression as an end in itself is at best a minimal standard for truth, namely the ideal of “my truth”, and at worst it is an imposter for the kind of truth Sertillanges commends. Rather he is saying that there is a possible harmony and correspondence between self and truth, and style is meant to express this correspondence.

One interesting implication: as long as there are selves seeking to express truth, there will always be interesting, creative, and original things to read and to wrestle with because, one, no self is the same, and, two, no one, not even Thomas Aquinas himself, can comprehensively express truth. In this regard, he says something about originality akin to C.S. Lewis, namely that aiming at originality is a fool’s errand and that originality emerges in the midst of seeking to represent truth truly.

Honestly, the best way to get a sense of what he means by style is to read the book. It is truly a pleasure to read and exemplifies many of the things he commends. For example, reading this description of style made me think of his own book: “Style excludes everything useless; it is strict economy in the midst of riches; it spends whatever is necessary, saves in one place by skillful arrangement, and lavishes its resources elsewhere for the glory of truth. Its role is not to shine, but to set off the matter; it must efface itself, and it is then that its own glory appears.” Style is about what to say and what not say, what to leave in and what to take out. It is about patience. Like music, it is about dynamics, and requires listening. Listening first to the material, listening to that which we desire to express, and listening too at the level of language, to the ways words sound against each other and how they sound in the whole sequence of words.

A couple of other things to note. First, he commends taking up the pen earlier rather than later because it is through writing itself that thoughts are expressed and are sharpened. It is through the practice of writing that one develops certain habits of thinking, and it is in thinking that one pursues truth. There is an iterative circle, thinking produces writing, which in turn produces thinking, which in turn, one hopes, moves one closer and closer to truth. Second, I don’t take this as a prescription for all kinds of writing. Remember he is considering everything under the heading of the intellectual life, which he sees as a particular vocation, so he is discussing writing in these vocational terms. On the other hand though, it is not bad advice for poets, novelists, or even, dare I say, bloggers.